Culture Wars and City Politics, Revisited
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Culture Wars and City Politics, Revisited

The so-called ‘culture wars’ – conflicts between progressives and conservatives over morality, values and identity – are often considered purely national in scope. When James Davison Hunter first popularized the concept in the early 1990s, he had in mind a clear vision of an all-encompassing conflict between the forces of orthodoxy and progressivism over the ‘meaning of America’. Yet the fiercest manifestations of culture war conflicts very often occur in localities, turning ostensibly national debates into issues that cities and towns have to deal with. Indeed, recent events – the murder of George Floyd, Black Lives Matter protests, the COVID-19 pandemic – have only served to underscore the increasingly localized dimensions of culture war skirmishes and the challenges they present for local and municipal governance.

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Gangnam Style – A Symbol of Fast Urban Growth and Deep Inequality
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Gangnam Style – A Symbol of Fast Urban Growth and Deep Inequality

In 2012, South Korean singer Psy’s Gangnam Style became a global sensation, earning three billion views on YouTube. In several interviews, Psy mentioned that the theme of the song was intended to satirize the extravagant and speculative culture of the place (Jung and Li 2014). With his motto to “dance cheesy, dress classy,” the music video showed Gangnam’s trendy and luxurious lifestyle, as well as the high-rise properties of the wealthy. Indeed, Gangnam has become an emblematic and successful example of Korea’s compressed economic development. At the same time, it also began to symbolize deepening urban segregation, as Gangnam is concentrated with the super-middle class with socio-economic, and even political, superiority in South Korea.

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Changing Neighborhoods and U.S. Arts Institutions
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Changing Neighborhoods and U.S. Arts Institutions

Arts institutions, defined as organizations that support art production and consumption space (such as performing arts complexes and museums), have been a popular neighborhood amenity in a variety of cities across the United States. They are believed to improve the livability of neighborhoods and to help attract human capital (highly educated and/or wealthy residents) to their locales. But what effect do they have on differently changing neighborhoods? Do new arts institutions help stabilize neighborhoods losing residents? Do they exacerbate the displacement of vulnerable populations in gentrifying neighborhoods? My research, presented in the UAR article "Changing neighborhoods and the effect of U.S. arts institutions on human capital and displacement between 2000 and 2010,” offers evidence and some answers to these questions.

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Putting Culture On The Map
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Putting Culture On The Map

Over the last decades, culture has become an essential ingredient in the economic development strategies of cities around the world. In this context, the development and promotion of ethnic neighborhoods—e.g. Chinatown, Little Tokyo, Harlem—is a strategy for revitalizing diverse urban areas. The local newspaper is a key actor in this process: it represents and promotes a city’s cultural assets, and in doing so shapes the way readers perceive of different communities. Given the tastes and preferences of today’s young urban professionals, “hipsters”, and tourists--urban environments characterized by ethnic diversity, authentic cuisine, and unique cultural experiences--these representations have the power to attract new capital and residents to immigrant communities. 

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Artists, Temporality, and the Governance of Collaborative Place-making
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Artists, Temporality, and the Governance of Collaborative Place-making

Work space for artists is becoming increasingly scarce in the city of Berlin. After the fall of the Berlin wall, artists were often welcomed in formerly run-down neighborhoods in order to creatively upgrade them, but their spatial presence in inner-city areas has undergone a transformation. Even though artists continue to play a crucial role in shaping the image and character of Berlin as a creative and open-minded place that attracts tourists, investors and new businesses, in times where both residential and commercial rent prices are rising and gentrification leaves visible marks all over the city, artists increasingly face the difficulty of finding affordable work and living space to pursue their creative projects.

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